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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, a key member of the innovative 1980s electronic music band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently founded the innovative techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his home in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the last two years, following a period of ill-health.

"I managed to damage myself quite a bit," he stated in a recent interview. "I broke spinal bones in my spine and fractured about five ribs and fractured my arm."

After contracting a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "high spirits mentally" over the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the latest project that we literally finished only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my existence and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a band, the connection is very tight," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with adoptive parents his caregivers, who changed his given name from Paul to his adopted name, alongside his sibling Susan, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a rare creative synergy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk appear on BBC program Tomorrow's World, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling millions of units worldwide. Together with hits by Gary Numan, Human League and electronic acts, it helped paved the path for the synth-pop sound of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Professional Journey

Success had its benefits. "I enjoyed being able to afford my initial property, having financial security and exploring, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth allowed we could purchase substances to alleviate the boredom" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to create a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on September 30, 2018.

However, they remained together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a homage to the NYC nightlife they visited while recording their initial records.

He noted that his time in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"In parallel, it's about the times we had in the 80s."

The final mixes were completed only days before Ball died. It is scheduled for launch in Spring 2026.

RM
The writer

Riley Malone

Laura Kensington is a finance enthusiast and freelance writer specializing in online bonuses and reward programs.

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